the drying youth

solving all equations
puzzled by problems
interacting with confusions
searching the truth behind illusions

wondering the source of lips of smiles
smelling the rat in the cupboard of kins
struck with terror about the dying innocents
pained with the apathy of selfish kingsmen

youth dries up, does it
all innocence wiped away by hands of reality
bubbling life, pealing laughter, smelling dreams
what is romantic to talk about with dried skins and painted hair?

is it the skin that is withering
or the probity to death that is killing
the joy within and the charm without
or is it the probability of ending up?

Oh God!
take me to the land of good faith
where my thoughts will never grow dull
with moods of gloom and nameless gall

oh to be a child of love
love untouched by means and ends
loving the air and moon and sky of bends
let me swim into the air tight pool of silky scents

give me your hand of grey
which sends shivers into my spine
as i climb into their sapphire veins
i see a face of eternal signs

when i deeply gaze into you
you suddenly have a mischief gleam
in your looks a baby bursts into secret stream
of unknown understandings it giggles and screams...............

Dad

Children ... ... someday you see me gradually grow old, the body has also gradually not, please patiently try to understand me ... ... if I eat dirty, if I did not wear clothes ... ... ... ... I remember a little patience I had to spend long time to teach you these things do? If, when I repeated again and again tell the same thing ... ... please do not interrupt me, listen to me ... ... you have a child, I have again read the same story again and again until you quietly to sleep ... ... if I do not want a bath, Please do not humiliate me ... I do not scold a child ... do you remember how much I had to compile the reasons, only a bath in order to coax you ... ... when you see my ignorance of new technology, give me a little time, do not look at hanging mocking smile me ... ... I have taught you many things ... ah ... how to be properly eat, be properly dressed ... ... how to face your life ... ... if I suddenly incomprehensible conversation, give me some time ... if I recall ... Or do nothing, please do not stress ... ... important to me is not dialogue, but together with you, and you are listening ... ... when I do not want to eat, do not forced me. I know that when to eat ... ... When my legs ... ... helped me a ... ... As I have escorted the first step you have taken your life someday ... ... when I tell you do not want to live in ... ... ... ... Please do not angry, one day you will understand ... ... try to understand I was already ailing, someday could be a few ... ... one day you will find that even though I have many faults, I always try my best to give your best ... ... when I do not feel close to you, sad, angry or helpless. You must bear next to me, as I had helped start in life like you know me, help me ... ... helped me one, with patience and with love to help me race of life ... ... I'll smile and I have always the same boundless love to reward you. I love you, kids ... your father ...

Pageants

Pageants are usually conceived on a fairly large scale, often under the auspices of some local or civic authority or at any rate in connection with local groups of some kind. This sometimes means that there is an allocation of funds available for the purpose of mounting the production, though unfortunately this will usually be found to be on the meager side and much ingenuity will have to be used to stretch it so that all performers can be adequately clothed.
Most pageants have a historical flavour as they usually come about through the celebration of the anniversary of some event of historic importance, or the life or death of some local worthy. Research among archives and books in the public library will probably prove very useful and produce some workable ideas which will give the production an especially local flavour. From the first economy will have to be practiced because there are usually a great number of people to dress. Leading characters can be considered individually in the same way as when designing for a play; but the main body of the performers will need to be planned in groups and the massed effect must be always borne in mind.
Many pageants take place in daylight in the open air. This is an entirely different problem from designing costumes which are going to be looked at under artificial lighting; for one thing, scenes viewed in the daylight are subject to many more distractions. No longer is everything around cut out by the surrounding darkness, but instead it is very easy to be aware of disturbing movement in the audience of behind the performers. Very theatrically conceived clothes do not always look their best when seen in a daylight setting of trees, verdant lawns and old ivy-covered walls; the same goes for costumes being worn in front of the mellow colors of stately homes. The location needs to be studied and then a decision can be made as to what kinds of colors and textures will harmonize best with the surroundings and conditions and then to carry this out as far as possible on the funds available.
If money is available to dress the performers without recourse to their own help in the provision of items, it is best to arrange for all the cutting and pinning together of the costumes to be done by one or two experienced people than to be given out to the groups and individuals for completion. When there is little or no money at all, the garments need to be reduced to the basic necessities. Cloaks and shawls become invaluable, sheets and large bath towels and bath sheets are admirable for draping. Unwanted curtains and bed spreads can be cut to make tunics, robes and skirts. These are particularly valuable if they are of heavy fabrics such as velvet or chenille.
Colors should be massed together so that there are contrasting groups of dark and light, this will be found to help the visual result substantially. Crowds of people gathered together in a jumble of colors will be ground to look quite purposeless and will lack dramatic impact.
The use of numbers of identical head-dresses, however simply made, are always effective when working with groups. If these are made of cardboard and painted boldly the cost can be almost negligible. Helmets, hats and plumes will all make quite a show even if the costumes are only blandest or sheets cleverly draped. The same can be said of the use of banners, shields and poles with stiff pennants and garlands—anything which will help to have a unifying effect. Any kind of eye-catching device will always go with a flourish and add excitement to the scenes.

Fairy Tale 2

forgetting how long ,no longer listen to your love story to me.
thinking too long ,i begin to be flustered whether i had done sth wrong.
you said to me with tears that fairy tales are all deceptious,it is impossible for me to be your prince.
maybe you can not understand,from your saying you love me on,stars in my sky are all bright.
i wish i can change into a angel in your fairy tale in split second,stretching arms to be wings protectting you.
you must trust ,trust we will be what in the fairy tale ,blessedness and happiness is our finale.

A Man

Happiness no longer shares my heart
Nerines death has taken that part
Others strive but fall short too often

Sunshine comes only from those I have loved
Not those I have tried to love
Overbearing demands to be perfect suit me not

I fall so short in this new world
A need to be perfect in speech and behaviour
This woman fails to see I am a flawed man

My heart breaks for my Nerine
She was my heart and sole
And our love was solid as in an unforgiving world

When Nerine comes back you will find me
Happy again

I doubt anyone can wait that long
For a flawed man